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Mute National Institutions towards Inclusive Approaches: When the French Cultural Heritage System Meets its Limits

The lack of concern of most French Museums regarding present social values in cultural heritage is reconsidered within an integrative cultural policy approach.

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Embracing Community Development: A Case Study of the Museums of Malawi

This paper focuses on a case study of the Museums of Malawi’s unique education programs, HIV and AIDS, malaria prevention and the expressive arts.

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Effects of Utilising Museums in Pre-school Education

The research aimed to investigate the effects of “The Program of Utilization of Museums for Pre-School Education” on 6 year-old children continuing to pre-school educational institution.

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Contemporary Art in the Louvre: The Historical Inclusiveness of the 21st Century Museum of Fine Art

The growing importance of contemporary art in the 21st century Museum of Fine Art will be examined in the context of how the contemporary art museum has become more inclusive.

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Inclusive Marketing in the Constructivist Museum: A Study of Non-visitors’ Needs

Inclusive practices in the United States are found within what is articulated by Hein and others as a constructivist museum. This research focuses on inclusive marketing practices to attract non-visitors.

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The Role of Audience Research in Museums: A Field Research Conducted at the Museums of Istanbul

This paper presents a field research conducted at the museums in Istanbul within the context of exhibition development.

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Missing Stories in Urban Transformation: Forgetting the Social History of Istanbul

The paper discusses the necessity and function of social history museums in the context of city transformation and displacement of cultures.

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Changing the Past? Archaeological Museums and the Empowerment of the Visitor

Is it possible to rewrite the past by simply moving through the galleries of a museum and looking at ancient artifacts?

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Suitcases and Stories: Objects of Migration in Museum Exhibitions

This paper explores the use of objects in Australian museum exhibitions about migration over three decades. It argues that curators have challenged and changed museum practice in negotiating these histories.

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Contemporary Art and Censorship: The Australian Museum Context

This research project examines the relationship of contemporary art and censorship in the Australian museum context through the Andres Serrano case in 1997 and the Bill Henson case in 2008.

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