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| Melting Pot on the Mall? Race, Identity, and the National Museum Complex | ||||||
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This project explores the emergence of ethnically-specific museums at the Smithsonian Institution since 2003. |
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| Art Museums Online: Using Interactive Websites to Build Cultural Capital | ||||||
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This paper examines ways in which interactive websites can open up the art museum to more diverse audiences, offering a new and different kind of Habitas for developing cultural capital. |
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| New Audiences at Sites of Colonial Slavery: Cases in the Caribbean and Africa | ||||||
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Based on research in Suriname, Curaçao, Ghana, South Africa, this paper analyzes which audiences visit presentations of colonial slavery, the motivation for their visits and their reactions to the presentations. |
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| Memory and Imagination in Museographic Design | ||||||
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Concepts of memory and imagination related with museographic design |
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| The International Journal of the Inclusive Museum , Volume 5, Issue 2 | ||||||
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Issue: Print |
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| Re-envisioning the Museum: Developing the International African American Museum in Charleston, South Carolina during an Economic Crisis | ||||||
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This paper details how Charleston’s International African American Museum is re-envisioning the role of museums and spaces for inclusive interpretation during an economic crisis. |
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| An Open Door to a Closed Society: The Incorporation of Dialogue into Museum Viewing Spaces | ||||||
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An analysis and case study of an interpolation among museum visual depictions, spaces for open dialogue, and representations of under acknowledged social and cultural groups. |
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| The Impact of the Ageing Population on Museum Audiences: Challenges and Opportunities for Museums | ||||||
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This presentation will look at the impact of the ageing population on museum audiences and present the challenges and opportunities faced by museums because of these demographic changes. |
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| The Representation of Minority Languages and Indigenous Cultures in Zimbabwean Museums | ||||||
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This paper focuses on the representation of minority languages and indigenous cultures in Zimbabwean museums. |
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| Democratising Collections through Audience Participation: Opportunities and Obstacles | ||||||
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Presentation will follow different participation practices organized in Estonian museums, from the perspective of civil society, museum, users motivations and changes of roles of museum professionals. |
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